35MM VS 50MM HOW TO

This can be a good practice for breaking the barrier and interacting with people when taking the shot. It is only a bit wider than the 50mm, which means that you can capture the same scenes you would with the 50mm, but you only need to get a bit closer. 35mmĪ 35mm is sort of a golden mean between a 50mm and a 28mm. And this is precisely where a 35mm steps onto the scene. What’s also negative about this lens is that it can make everything too tight in a frame. It’s especially the case if you use a crop body, since the focal length here equals 75mm on a full-frame camera. If you want to create a bit wider frame, the 50mm can make it impossible. First of all, you may often find yourself against the wall, with no place to move further. While there certainly are many advantages, there are some limitations of a 50mm. If you are a fan of shallow depth of field, again, 50mm is the way to go. The proportions of the human body look just right.

Shyness is not really a desirable trait of street photographers though, but we can forgive that to the beginners.Īnother great thing about a 50mm lens is that it’s very flattering for people shots. This lens doesn’t require you to get too close, which is good for the shy street photographers. It allows you to snap a photo the moment you see something interesting, without having to come closer to the subject or move further away. It’s a very good deal for a lens like this.īy using a 50mm with a full-frame body, what you see is what you shoot.

There are expensive models, of course, but you can find a decent “fifty” at a $100 price. One of the advantages of 50mm lenses is not related with the quality of the images they can produce. It’s also a great entry lens for street photography. It was also my first prime after a cheap 18-55mm, and I am very much in love with it to this day. For most people, it is the first prime lens they buy after a kit lens. This lens has a ton of advantages, and it really is a must-have for street photography. If you liked this, follow me on Facebook, Twitter and Instagram.Most street photographers swear by a 50mm lens. Either one will be a great addition, but consider what you're trying to shoot more of to decide on the 35mm or the 50mm. If you're just starting out, I hope this info can help you in figuring out what your next lens will be to add to your kit. The light weight and small size make it easy to walk around casually with, without announcing to the world you have a huge piece of glass in front of your camera. Small prime lenses, lenses that have a fixed focal length, are fantastic for walking around with.

35MM VS 50MM HOW TO

How to stay on your feet to do in versus relying on zooming in, and the power of being in full control of your aperture when the lens isn't deciding it for you. Missing the mark with the aperture that wide open is the difference between great depth of field and not getting the shot.Īt the $200 mark, you're getting a lens that gives you clean, fast shots, and can teach you so much. At f/1.8, you can flood your sensor with light, giving you freedom to shoot in situations you might not normally (garages come to mind), but it requires much more control to make sure you're getting your subject in focus. I almost hate myself for using Uncle Ben's refried quote here, but there's truth behind it, so bear with me. F/1.8 Aputure - With Great Bokeh Comes Great Responsibility You really can't go wrong with either option, but here's why you should consider adding them to your kit when starting out: I was shooting more cityscapes and wanted the extra view it offered vs the 50mm, which would be better for focusing on people from what I had experienced so far at that point. When I hit a wall shooting due to the lenses I had on hand, I opted for the 35mm f/1.8. They both hover around $200 new, depending on brand/condition, and if you decide to opt for the f/1.8 variant over the more expensive f/1.4 counterpart. That's where we come to two options for lenses, the 35mm and the 50mm. There may come a time where you want a lens that gives you a little more control. Nothing is wrong with them, they're a great place to learn about the limitations of your equipment and how the exposure triangle of ISO, f-stop and shutter speed work together, especially when those values are constantly changing due to the lens. But for the rest of us, we might start from a more humble origin, in the form of kit lenses. If you're lucky enough to jump into this with a 24-70mm f/2.8 lens, more power to you. When starting out in photography, you might not have access to the best lenses.

35mm vs 50mm